Condottieri gattamelata szobor

Padova szoborpark It portrays the condottiere Erasmo da Narni, known as "Gattamelata", who served mostly under the Republic of Venice, which ruled Padua at the time. It is the first full-size equestrian statue of the Italian Renaissance.

Horse statue near me A „Gattamelata” néven ismert padovai születésű condottiere, Erasmo da Narni (—) lovas szobrát és között készítette a neves firenzei szobrász, Donatello.

Colleoni lovasszobra With a calm, resolute expression, the condottiero holds a silver-gilt baton—a symbol of imperium rooted in ancient Roman tradition—bestowed upon him by Venetian officials following his appointment as supreme commander in

Equestrian statue meaning Erasmo da Narni, alias Gattamelata (Narni, – Padova, január ) itáliai zsoldosvezér (condottiere). Előbb Firenze, azután a pápa, végül a Velencei Köztársaság szolgálatában állva megszerezte a főkapitányi rangot. Képzett katonai stratéga volt, aki megvédte Velencét a Viscontiak támadásaitól, majd meghódította Veronát is.

Horse statue for home The equestrian monument dedicated to the condottiere Erasmo da Narni, called the Gattamelata, is the first to be executed since ancient Rome. Donatello, therefore, takes an ancient subject and brings it back into the Renaissance by renewing it.

Gattamelata lovasszobra

Gattamelata, bronze statue of the Venetian condottiere Erasmo da Narni (popularly known as Gattamelata, meaning “honeyed cat”) by the 15th-century Italian Renaissance sculptor Donatello. It was completed between 14but was not installed on its pedestal in the Piazza del Santo in front of.

Equestrian statue of gattamelata Erasmo Stefano of Narni ( – 16 January ), better known by his nickname of Gattamelata (meaning "Honeyed Cat"), was an Italian condottiero of the Renaissance.

What does it mean when a statue of a horse is on two legs However, there are echoes of Classical Antiquity in the decorative details of Gattamelata’s armour – from the head of the Medusa on his breastplate to the putti musicians around his belt. The portrait of the condottiero, who is shown austere and determined, was probably based on the profile depiction of Gattamelata to be seen on a medallion.